Відео

You forgot to mention Cakewalk Project5

ur reading from a script, love it

Aboutca decade ago there used to be this Transhumanist nutta called Mat, a teacher at Access To Music Brighton, he was very active on the REAPER forum (yet he never contributed in anyway to reaper but spoke like he owned it), he'd write long rants about interfacing DAWs with human brains, getting rid of all hardware (including midi controllers) and argue with absolutely everyone, absolute knutjob he was, unfortunately he convinced some of the students to join his (what was basically a) cult at the time. Anyone know what ever happened to him?

Sound designer software was a pre cursor to pro tools an an audio media card for mac

I still use Real Player!!

You forgot something very important, with Cubase 7 and Nuendo 6 the Asio Guard technology was introduced, and with it 64 bit. Background The Cubase and Nuendo audio engine is designed to process and play back all audio signals in real time. Everything you hear has just been processed by the CPU. There is always a little ASIO related offset (the latency) but this latency can usually be reduced to an (almost) unnoticeable value by setting the buffer sizes accordingly. The buffer size basically is the time frame in which the audio processing for each ASIO block has to be accomplished. The smaller the buffer size, the more important a properly configured computer system and well working drivers are. Only then the application is able to execute the processing reliably thus making optimal use of the available CPU resources. If there is a delay, it can happen that there is not enough time left to process one audio block which leads to audio drop outs. There are various reasons for such a delay. It always depends on the operating system, the audio hardware in use, drivers and the general system setup. However, the result is always the same: even though theoretically enough CPU power is available, audio drop outs occur. ASIO Guard This is where ASIO Guard sets in. The aim is to become as independent as possible from the strict ASIO real time requirements. Whenever there is CPU time left despite the required real time processing, the upcoming buffer blocks are pre-calculated to have them available for the next ASIO block cycle. Under certain circumstances, this method can stabilize or even increase the resources available for audio processes. The effect on the overall performance not only depends on the hardware environment but also the specific use case. For instance, audio channels that are monitor enabled cannot be pre-calculated and have to be processed in the time-critical real time path leaving fewer resources for ASIO Guard. This increases the risk for audio drop outs again. With ASIO Guard enabled, Cubase/Nuendo will try to utilize the less time-critical path as much as possible. The assignment is an automatic and dynamic process. A monitor enabled channel will be removed from the ASIO Guard mode automatically. Once the monitoring is disabled again, the channel will return into the ASIO Guard path. Because of this dynamic reallocation, it is advisable to monitor the VST performance meter to be able to address potential overloads.

7:25 i might be overly nostalgic but i swear this is to me still THE COOLEST most futuristic interface for any program ever.

this has the second best piano rofl only behind FL studio, imo, it feels rely nice to use. compared to FL, i like that you have both normal midi items (like reaper nad most daws) AND 'patterns' (like FL) allowing you to choose whatever option fits your needs more. i personally find it a little annoying in FL that EVERYTHING needs to be a pattern. also has one very cool usability feature - rolling mouse wheel over notes in reusable pattern/drum editor changes velocity of the note. it's such a nice and intuitive feature i was surprised when i launched FL studio for the first time and found out it's NOT there xDDD

nice video my guy! i love sony vegas pro

I played with him in Houston and the UK, definitely one the coolest people I've ever known

Ummm analog synthesizers are like a million times better.

jesus, the first reaper looks like fucking acid pro

Delay Designer and Logic’s other advanced instruments and effects in 8 were insanely good for the time

REAPER is the only DAW I've worked in - so I don't know how other's compare. But when I watch mixing videos - with people working in others DAWs - they seem clunkier than REAPER. Setting up Sends and Buses in REAPER is super simple by comparison. I love the Actions menu - the custom 'skins' available. The resource videos available are insane (Kenny Gioia: I'm looking at you). Love REAPER

Odd that you skipped version 9.5 adding VST2 support.

What if splice and other sampling companys just send their whole library to content ID and give it free clear pass so that no one can content ID the specific sample, only the unique combination of samples or their own made samples

the solution is to copyright songs as a whole (the combination of the beat with melody, vocal etc), not a melody on its own, so that the melody on its own cant be copyrighted since u got it from splice but the combination of elements with that melody should be able to be copyrighted (the specific beat, with specific melody, specific vocal combination). ps. if splice sampling give that much problems while they're billionair companies then they should get sued aswell or atleast fix this problem with for example my example.

I love everything about Reaper including its appearance.

nice video, it helped with my college assignment, thnks❤

6:00 that’s a windows calendar

Hell yeah brother can’t wait to put my Dad on some of your game since he introduced me to music and my first guitar at age 6

I spend "some" time in a 2.0 version back in early 2000's, than had over two decades off and now come back to making music with new version. And still after those 20 years it feels so familiar.

0:01

thanks to the all reaper team ... & thanks for this information

I was using SoundTools in 1990 end I had my personal using ProTools 4.0 in 1997. It's still my main DAW and still the one that feels like a "real" studio. Every move or path is possible in PT just like a real studio and I now work happily on my M1 Pro laptop for my daily mixing and mastering. A real dream come true. And the plugins today are as good as any hardware around, and the recall is there in seconds, AND I can mix on my terrace looking to the seashore... Midi is improving but I still use other DAW for production... Room for improvement. Still expensive though :-(

1. The Roland CR-78 was the first programmable drum machine on the mass market. 2. The Linn 9000 came out years after the TR-808. 3. You also say that most drum machines before the 808 used samples. The first drum machine that used samples was the Linn LM-1 which came out a year AFTER the TR-808. In fact it is obvious that you did minimal deep research for this video. You don't know what you are talking about. I mention these things because the people commenting below seem to be taking you at your word and will now go on to talk BS in comment sections.

Still using Reason 6.5 rewired to Live 9. Best combo ever!

Vaporwave has a very interesting history. It's nice to see how people are continuing it to this day!

Turns out the DS is a great synth

Marvin Gaye's "Shwalzuwal Healing"? Don't recall that one.

4:24 dude that's a Wii u menu

U R THE MOST GOATED PEROSN EVER. 6 YEARS AND STILL RELEVANT

I’m very intrigued about music sounds an historical information I love ❤️ it.

Fun fact , Peter JUbel one of the founders of proppeerheads( and now doing almost all the synths and effects in reason ) also did the dsp for the original Clavia Nord lead 1

Very interesting

Fun fact: sometime in 2002/2003Linkin Park were making Meteora, for that, the guys at Avid updated the Pro Tools for Mike to help him create the album.

I started with cakewalk back in 2003 ❤

Can you so history of MainStage plz, I would like for you to educate us on that plz and thank you God bless

I THOUGHT that I was late to Vaporwave until you mentioned the Washed Out song. I used to listen to it all the time, but didn't know that it was Vaporwave music

Well i made the jump from FL Studio 10 because I didn't like the way FL Studio was heading.

You forgot buying camel audio, who are responsible for alchemy.

I don’t know if you said this, but Pro Tools let people use the program without hardware (audio interface, etc.)

Avicii, used this software way before version 10

OMG! One of the few times I can actually comment something worthy to a video. I'm user /Pelusteriano, I modded /Guitar for about 2/3 years, around 2017. Code347 and ninjaface have always been a pain in the ass. Back then the active mod group was comprised of /ChuckEye, /iamchets, /seehocks (who removed his account), and myself. Code and nf barely posted and performed any mods actions. When Code posted, it was comments in porn subs, go figure. When we tried to make the sub better by actively engaging with the users, Code and nf didn't like it because we didn't ask them. The thing is... They were never around, it took months for them to answer anything. We weren't going to wait months for a reply. So, we decided to do something about it and make some changes without their consent... And they didn't like it. It hurt their little egos and their status quo as head mods. Things got heated and all but Code and nf removed us as mods and banned us from ever posting to the sub. Since Reddit uses a totem-like moderating style, older mods outrank younger ones. Therefore, a mod who is barely active but became a mod before you can remove and ban you without anyone's approval. Here's a few threads about our removal: - iamchets talking about his removal in /guitarcirclejerk: redd.it/7g3ng6 - iamchets talking about his removal in /guitar (most of it removed by Code and nf), you can find nf's downvoted sorry-ass replies trying to cover his tracks: redd.it/7g3oqg - A self-post where I tried to reach the community (the post was locked by Code and nf): redd.it/6fob3c - A self-post with one of the propositions I made, a thorough FAQ, which was busted by Code and nf: redd.it/4ogxh5 Their moderation has always been a fiasco. Any former mod (even UA-cam creator Ben Levin used to be a mod, he was removed a few months before I got the position) will tell you how awful it is and, if you mention it, they get defensive and end up banning you. The constant come-and-go of mods is one of the reasons why they decided to change the settings of the sub to hide who are the mods. --- About the engagement, it has always been low because users mostly post pics of their gear (because they want to show it off even though most of it is generic guitars), and the great bulk of users are beginners looking to get their questions answered (that's why we began the "No Stupid Questions" threads and tried to kick off the FAQ Project). But since we didn't suck Code's and nf's dix, all of it was brought to a halt, removed, and they banned us.

I got my hands on “Creator”, the program preceding “Notator” in the late 80’s. The company then was called “C-Lab” which later turned into Emagic. My point being: I am old AF.

I was a Registered User for the Twelve Tone System's Cakewalk Apprentice 1.0. That software came with the Creative Labs Sound Blaster Pro "MIDI Kit" (a MIDI cable adapter for the soundcart Joystick port). These allowed to connect an external synthesizer to the computer, and use the sequencing program on Windows 3.1 to record and play MID and native WRK files. I used a cheap Casio MT at the time. Promotional material was sent on the international mail, and included the QuarterTone quaterly magazine, a small newspaper. In this way, I was able to upgrade to the Cakewalk Audio. With a SB16 soundcard, you could play MIDI and audio at the same time, a feature not possible on the early SBPro. It may sound an idiocy today, but I was able to arrange great theatrical music and SFX for live plays at school using that nimble software and a tape recorder. What great memories!

Little Rich. Little Rich. No one can deny. Oh memories. 😁

oh god this takes me back!

Dr octorex was in vesrion 2 and Kong was in version 5